FOREIGNER "DOUBLE VISION" CD IMPORTADO - Companhia do Papel LTDA










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MUSICA > Rock
FOREIGNER "DOUBLE VISION" CD IMPORTADO
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INFORMAES DO PRODUTO



1. Hot Blooded 4:28
2. Blue Morning, Blue Day new 3:13
3. You're All I Am 3:24
4. Back Where You Belong 3:15
5. Love Has Taken Its Toll 3:31
6. Double Vision 3:44
7. Tramontane (Instrumental) 3:56
8. I Have Waited So Long 4:07
9. Lonely Children 3:37
10. Spellbinder 4:55
11. Hot Blooded [Live Version] 6:57
12. Love Maker [Live Version] 6:48

Foreigner was one of those bands that "just couldn't get no respect." Like many of their colleagues in the so-called "corporate rock" pigeon hole, the reality is that Foreigner's music is listenable when bad and tremendous when good. For their second album they came up with a great set, only outdone (arguably) by "4", which sold far better and got some grudgingly good reviews. Double Vision very quietly remains a classic of power-chord, blues-derived manrock in the Bad Company mold. But Foreigner is lent an unusually high degree of cross-gender acceptability owing to Lou Gramm's unique and expressive sandpaper vocals, and a heavier dash of keyboards than most of the contemporary competition. Foreigner's love songs (at least from '77) are full of resolve for better or worse more than trite wistfulness, and "Love Has Taken Its Toll" and "You're All I Am" both, for different reasons, ring truer than any random dozen Top 10 luv songs. The power-pop singles have that instant-classic flavor you can't resist, among which "Blue Morning Blue Day" is especially rugged, and "Hot Blooded" the acknowledged classic. Foreigner albums always have a few I-hate-dangerous-women because I-love-dangerous-women songs (e.g. "Spellbinder"). These are usually effective without offending because the characters seem real and Mr. Gramm is always saying how stupid he was and warning you male listeners to watch out for femme fatales before they getcha. Being scared of difficult (intelligent, powerful, cunning) women is very different from advocating their destruction or even their suppression, and Foreigner's being branded "misogynist" from time to time is really ridiculous if you look at what's actually being sung. "Lonely Children" is one of the more compelling kids-in-the-street fables, underpinned by another memorable and often-copied Mick Jones riff. All in all, a great rock record full of inspired singing, top production, and nary a bad tune.

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